sound maker
sound makerThe Soundmaker, 2004-rn
Trilogy of Failure (Part 1)The Soundmaker20043-channel film installationColour, soundShot on Super-16mmConverted to PAL SD and transferred onto DVDAspect ratio 16:9Loop, 35 min 7 secEdition 6 + 2 apThe Soundmaker (2004) is the first part of Rosefeldt’s Trilogy of Failure (2004/2005) in which three different settings draw a picture of our vain entanglement with everyday rituals. In each case the protagonist is caught up in a microcosm that suggests mental and spatial claustrophobia. As a reaction to the hopeless situation, he plunges into permanent Sisyphean activity – going nowhere and producing nothing. The motifs of perpetual attempt and constant failure find their equivalent in the repetitive structure of the loop. The scenes are allegories of our frantic and ultimately futile attempts to escape the surrounding norms, constraints, structures and rituals by which we are determined.The Soundmaker piles, in endless iteration, the furnishings of his room into his own personal Tower of Babel, only to dismantle it and return the room to its original state again. His performance is accompanied by a Foley artist, an alter ego looking identical to himself. While the action takes place on the central screen, two screens at the sides show the procedure of sound-making. Shot in aerial and frontal perspective, the screens depict the translation from life as it occurs in the centre into simple objects and minimal movements. As in many of his latter projects, Rosefeldt reflects upon the myth machinery of cinema by showing the film set behind the scenes, while simultaneously using it as a metaphor for the mechanics of life.Summarised from Stefan Berg and Katerina Gregos, in: Julian Rosefeldt: Film Works (2008)Exhibitions / Catalogues– House of Impressions. Wandering with a Troubadour, Pushkin State Museum of Fine Arts, Moscow, October 2016–March 2017 (curated by Olga Shishko)– Kino der Kunst. Julian Rosefeldt – Trilogy of Failure Part I & II, Maximiliansforum, Munich, April 2013 (curated by Heinz Peter Schwerfel; catalogue)– Brick + Mortar International Video Festival, Greenfield, MA, October 2011 (curated by Christop Cox)– Julian Ro……sound makerEpidemic Sound’s 2024 Future of the Creator Economy Report Reveals Music’s Vital Role in Content Success, Ongoing AI Integration by Creators, and Advancing Creator Economy-rn
54.9% of monetizing creators now identify as full-time in 2024, signaling a 3% rise from 2023 and underscoring a growing dedication to content creation as a primary income source.77% of monetizing creators feel fairly compensated, thanks to ongoing platform monetization programs, with YouTube leading as the top income source (28.6%).A substantial 84% of content creators continue to leverage AI-powered tools and applications in their content creation process.An overwhelming 83.7% of creators emphasize music's importance in fostering audience connections, while 80% agree that it significantly affects content success.65% of creators are worried that a potential TikTok ban would have a negative impact on their opportunities to earn money from their content.*Stockholm, Sweden – Today, Epidemic Sound, the soundtracking platform for content creation, released The 2024 Future of the Creator Economy Report, a report delivering key insights into the dynamic realm of content creation, the challenges and opportunities creators face, and their predictions for the future. The company’s second-annual creator economy report explores emerging trends in content monetization,sound maker identifies top earning platforms, and examines the integration of AI and music in content creation. The report is based on a survey of 1,500 content creators who are currently monetizing their work. Epidemic Sound’s Future of the Creator Economy Report shows that as the creator economy grows, creators are becoming more experienced in identifying new monetization and growth strategies, increasing focus on personal branding, and learning how to best incorporate music and new technologies into their content. Career opportunities within content creation strengtheningThe digital content creation landscape continues to thrive, with 54.9% of creators now identifying as full-time in 2024, marking a 3% increase from 2023, and 38.9% have been producing content for 2-5 years. This highlights a growing commitment to content creation as a primary income source. Of all creators currently monetizing their content, 77% feel fairly compensated for their work.Majority of creators sound maker are optimi……
sound makerPink Noise and Brown Noise variations-rn
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